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Pink Floyd topic All about it(No negative posts)
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Slamman  |
Posted: Tuesday, Jun 17 2008, 05:34
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Godawful-Disturbed-Earl Root

Group: BUSTED!
Joined: Nov 29, 2003


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I am a major, MAJOR PF fan and I thought I'd contribute as well... I bought a good number of bootlegs from the band that grew a detest to such things when The Dark Side Of the Moon was released. Many early 1970s shows featured long improv versions of soon to be standard LP tracks...Like Raving and Drooling, Murderous Woman, and The Violent Sequence. If you follow this band with a passion, you likely have David Gilmour's solo recordings as well as Roger Waters, Maybe one or more of Richard Wright's and Nick Mason's as well. Perhaps even bought Nick Mason's beautiful book on the subject. There are two soundtrack LPs filled with the Floyd... Obscured by Clouds and More...both chosen by director Barbet Schoeder for his films. Both disliked by the Floyd, but loved by me, in particular. They were made to make money, no more, no less. The movie Zabriskie Point featured some rough mixes as well and they are out there if you look. If not, you should... Since they formed in 1965, They turned the music world on it's ear, as coming from the English school of architecture, they approached music in a rather avante garde manner. In a sense, as Mason tells it... constructing their music as if building and designing something of a structure, with their studies in mind. After the success so early on of Dark Side, their internal struggles actually threatened to halt this amazing musical force. They literally struggled over years to put out three more amazing LPs; Wish You Were Here, Animals and The Wall. By the time 1984's Final Cut came out, the band could barely stand to look at each other, and of course, Roger took stabs at Gilmour, and Wright had left early in 1980 during the Wall fiasco. In a major bootleg historical compilation entitled, Total Eclipse.... 4 CDs of rare tracks document the history along with a photo booklet. This booklet gives some very nice insight in short order for those not as familiar... The intro except is as follows... | QUOTE | The impropriety of the Haight-Asbury District of San francisco created the atmosphere where by the International Times and the London Underground sprang to life. As the first British newspaper, the IT or International Times, was developed by Barry Miles, he is known as the man behind Pink Floyd; a Visual Documentary by Omnibus Press) As well as John Hopkins, with the intention of discerning the cultural rise of psychedelia. After pulling together a sizable staff, and gaining a few short term loans, Miles and Hopkins were ready to launch their newspaper. Utilizing North London's The Roundhouse, AND the inexperienced services of a band called The Pink Floyd Sound, IT, was set into motion in October 1966. Not long after it's first issue, however, IT began to lose money. Sensing an end to the magazine, John Hopkins teamed up with Joe Boyd (who later was keenly tied to the early Floyd and Syd (Barrett)) and opened the Friday night UFO club, which was actually pronounced 'Ew-Foe' by the BBC! Also interesting to note, the UFO club was so famous, the British rock band UFO, who are also mentioned quite a lot by me personally, were named after this very venue in London, where they all came from. UFO, the club, stood for "Unlimited Freak Out", and resided in West London. It provided John and Barry with funds for IT, and Pink Floyd, then named after Syd's appreciation; Pink Anderson and Floyd Council, two lesser known Georgia Bluesmen. Billed as London's Farthest out group, Pink Floyd played UFO's opening night to quickly become the House Favorite. That night's extended musical improvisation and experimental light show proceeded to set the stage for a multimedia musical event that would change the world's perception of a performance. Previously called, Sigma-6, T-set, The Meggadeaths, the Architectural Abdabs and the Screaming Abdabs as well as The Abdabs, Pink Floyd became the chosen name that fit so well and left people wondering Which one's Pink for MANY years.
Originally Roger Waters played guitar, then demoted to playing rhythm and then, eventually bass. At first, Rick Wright played guitar before taking up keys..Clive Metcalf on bass and Bob Close had joined the same time as Syd and Roger moving down to bass. Close left soon after, although still around, they had some issues as well, but style is cited here for the leaving. Nick Mason, who wrote the book Inside Out on PF, was always the drummer and tells in his book all about growing up as kids and meeting in school, it's fascinating stuff. Barrett's LSD intake quickly overtook his ability to perform and tour with a band getting a lot of attention due to a very risque single entitled "Arnold Layne"! In 1967, fall of that year, Both David Gilmour and Syd Roger Barrett performed in the Floyd. Dave grew up with Syd and was teaching him things on the guitar, in fact. (I'm adding additional info to the book text, to fill out some of it.) Pink Floyd were signed by EMI Records in '67. The aforementioned single was released and drew controversy over it's lyrics, though even today, it stands up as a great song in it's own right. The Magic of Syd infused the band in the same way Hendrix did with his vast output in so few years.
Also in 67, Floyd released their second single "See Emily Play", along with their first full record; Piper At the Gates of Dawn. Their first tour of the USA happened in short succession and Syd's declining health became a deterring factor. Many odd stories of his final days as a public artist remain, sadly, he never recovered and PF quietly ousted him from their lineup one day enroute to a gig. Pat Boone attempted to interview Syd in fall 67, and recieved only a blank stare in return....as one example goes. The day after the infamous American Bandstand performance took place, sadly, Syd was in a drug induced state. A Saucerful of Secrets came the following year, in 1968. In April, Syd was no longer in the band, but his presence resides in those recordings and attempts he made as a solo artist with two records helped along by Wright and Gilmour in the studio. He also had some BBC sessions released of even more material, and an album entitled Opal. |
Before Syd left, the managers of PF were split on who to back, Without Barrett, they felt the band was doomed. They soldiered on with Meddle and Atom Heart Mother, as well as Ummagumma, a fan favorite of live and studio solo tracks from each member. The band hated this solo idea, though Roger Waters insisted, in a way, it forced them to think creatively on their own however. With Ron Geeson, the band forged new territory on Atom Heart Mother, while also joining up with Storm Thorgerson and Hipgnosis... Who, after many years creating amazing artwork, crafted albums that even know hold iconic weight of their own. This happened to include the band UFO's covers as well. Storm has been a very close friend of the band since their youth. Well, a basis to cover the early Floyd for ya, I collected about all I could afford to get my hands on, including soundtracks like When the Wind Blows from 1986, circa. That one featured a very nice David Bowie song as well. This post has been edited by Slamman on Tuesday, Jun 17 2008, 05:48
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Slamman  |
Posted: Thursday, Jun 19 2008, 22:35
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Godawful-Disturbed-Earl Root

Group: BUSTED!
Joined: Nov 29, 2003


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Don't get me started on Mr. Digital Evil. He's acting like a total prick, and has about banned me from his thread. I don't care to partake in those discussions. I am laying truth to what little drug use the band was involved with, it didn't effect them the way LSD did Syd. I'd probably see DE saying it wasn't LSD, it was Syd's personal choice of this or that, or he was pre-destined to take massive quantities to reach a new plane of existance. I just don't want to be debating that over and over. It's true everyone who enjoyed access to the RnR lifestyle might have had some libations of some sort.
When I had read on the Toxic Twins (Aerosmith) cleaning up their act, Dave Mustaine cleaning up his, I was quietly praising them for it because they DID realize for themselves how it had control of their lives in a bad way.
Regardless, get as many Pink Floyd bootlegs as you can, because each one is packed with audible hours of enjoyment and pleasure. I love it to no end!
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square66  |
Posted: Saturday, Jun 21 2008, 08:52
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This sentence is made from one recycled vending cup.

Group: Members
Joined: Jun 6, 2008


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There's not a lot else to add other than I LOVE Pink Floyd... I've seen the Australian Pink Floyd Show at Dudley Castle last year sometime. Perfect weather, perfect surroundings (the old stone walls made for some really perfect acoustics, slightly echoey and it complimented superbly with the Floyd songs), perfect show note for note AND atmospherics such as pyro, lighting etc. It was an outstanding experience in my life, and being only 22 I'm kinda gutted I perhaps was a bit young to be into PF at their prime... But I can still live the dream through my headphones. Another thing, if you love Pink Floyd, and also love Dream Theater or are just interested in PF cover work, then check out Dream Theater's Dark Side Of The Moon live DVD and CD bootlegs. They covered the entire album live (incidentally recorded the night before I saw them in Worcester), and as PF are such a big influence on them, they made a pretty faithful representation of the album, complete with the videoscreens showing images that were originally screened by PF in their live shows. Sure, there's the occasional standard Dream Theater w*nkery but it is does in a tasteful way imo. In short, I love the DVD. It fuses together two bands I adore.
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